Amazon Studios and Echo Lake Entertainment are adapting the NY Times’ bestseller I’ve Got Your Number by author Sophie Kinsella. Kirsten “Kiwi” Smith and Jessica O’Toole are attached to pen the adaption.

Dakota Fanning will produce along with Brittany Kahan Ward & Mary Jane Skalski of Echo Lake Entertainment as well as Joey Plager and Freddie Highmore, through his Alfresco Pictures. Alfresco Pictures’ Claire Londy will serve as an executive producer.

The novel is a romantic comedy of errors featuring a lost engagement ring, a stolen cell phone, and two strangers who find each other…just as one of them is about to marry someone else.

Kinsella is well-known for her Shopaholic novel series, which was adapted into the film Confessions of a Shopaholic starring Isla Fisher in 2009. Since her debut in 1995, Kinsella’s books have sold over 40 million copies in more than 60 countries, and been translated into over 40 languages.

Smith’s credits include Legally Blonde, The House Bunny and the Emmy winning series Trinkets on Netflix. She is also co-writing a reimagining of 10 for Warner Bros. O’Toole co-created the Charmed reboot for The CW, and her credits include the hit series Jane The Virgin, Selfie and The Carrie Diaries.

Fanning is repped by Echo Lake Entertainment, United Talent Agency and Hansen Jacobson. Highmore is repped by ARG, UTA and Felker Toczek. Kiwi Smith is repped by Verve, Kaplan/Perrone and attorneys Karl Austen and Adam Cooper. Jessica O’Toole is repped by Verve, manager Sukee Chew and attorney Eric Brooks. [Source]

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The TNT original drama series The Alienist: Angel of Darkness, the follow-up season to The Alienist, is an unflinching and sinister murder mystery set at the turn-of-the-century during New York’s Gilded Age. The series follows Dr. Laszlo Kreizler (Daniel Brühl), an alienist in the field of treating mental pathologies, John Moore (Luke Evans), a New York Times journalist, and Sara Howard (Dakota Fanning), an ambitious woman who has opened her own private detective agency. Together, they are on the case of a kidnapped infant and on the dangerous path after an elusive killer.

During this 1-on-1 phone interview with Collider, Dakota Fanning talked about digging deeper into these characters for Season 2, her character’s biggest strength, what she appreciates about Sara Howard, the incredible wardrobe, the Sara-John relationship dynamic, and whether she’d want to continue playing this character for another season. She also talked about her desire to step behind the camera to direct, and that sacred relationship between actor and director.

Collider: What did you most enjoy about the first season and exploring the introduction to this world and these characters, and then how did it feel to return to that for Season 2 and dig in even deeper with her?

DAKOTA FANNING: I loved that. It’s really the first time that I’ve gotten to dive into something for a second time and for another eight hours. It’s really an exciting thing to do, when you get to take a character that you’ve grown to love and that you feel like you know so well to a different level and into a new place, and I really got to do that with Sara. I loved playing her in The Alienist and seeing that she was the first female to hold the position at the police department, as a secretary, but having aspirations of more. And then, right away, in the first episode, we see that she’s opened her own detective agency and has realized that dream, and is still forging ahead to fight for people and to solve these crimes that are not being looked at because the police department is corrupt, or that people don’t care about. She’s a very compassionate, empathetic person, and I think that allows her to look at the people that she’s solving these crimes for, in a very non-judgmental way, and that’s ultimately her biggest strength.

When we visited the set of “The Alienist: Angel of Darkness” in Budapest, Hungary last year, we were blown away by the passion and detail that was poured on the set as well as the costumes of the actors.

The period drama TV series is based on the 1994 novel of the same name by Caleb Carr is set in the mid-1890s New York City and deals with corruption, sexism, racism, anti-immigration, crime and violence — pretty much what we are still dealing with these days in the 21st century.

As Dakota Fanning, who is portraying Sara Howard, told us in a recent virtual interview in Los Angeles, “A lot of things are relevant if you watch the show. You can see and will be struck by the parallels. There is also the fight for women’s rights, injustice, and anti-immigration in this series. It shows young people that a lot of things have not changed. There are still the same conversations going on. It is what it is. The only way to change our future is by examining our past and through television and the movies, we are not only entertained and have a suspenseful mystery but we are still able to ask the hard questions.”

What is fascinating about this season are the steps that women are taking to be independent in their jobs. Your character is starting this agency but nobody wants to hire her. Can you talk a little bit about how important this reflection is?

I think that’s been the most interesting thing about “The Alienist” and now “The Angel of Darkness” are, the similarities to things that we are seeing in the world right now; a lot of the conversations with women and women in the workplace and women’s rights and all that.

In “The Alienist,” you see Sara being the first woman to hold a position in the New York Police Department and then here, you see her with her own detective agency which was definitely unheard of. And you also see the way in which Luke and Daniel’s characters view her differently from the beginning when she’s an equal from the start.

She’s no longer having to prove herself to her own team which I think was a change and seemed sort of an evolution in that and you see her have her mentees that are working at her agency seeing this sort of example that she’s setting for other young women during this time.

We still see that now with female-owned businesses and the importance of female mentors to younger women. What I also love about this show in general is mixing the real historical figures in with the fictional aspects to seeing Elizabeth Cady Stanton and the Suffragette movement and getting that sprinkled in throughout the series is really something that I’ve always enjoyed getting to see the real characters.

I have added some movie stills of Dakota Fanning from Viena and the Fantomes. Hope to get more soon.