A new photoshoot of Dakota Fanning have been added to the gallery. She did this for the Heroine Magazine. Hope to get the scans soon.
If you like the updates and want to help this site to keep online, please, feel free to go here to donate. Every little bit helps!

Hello to everyone! Hope you are safe and fine.
First of all, thanks for visiting the site and for your comments and messages. I really love to talk with everyone and make a great family of Dakota’s fans.
Anyway, I would like to make some great updates here and try to make the site better. I started with the magazine scans. Some were missing and I got some covers that weren’t up here. So, I have added these ones. Go to the gallery to take a look. I am going to start working with more photos to add (shoots, stills…)
Also, I added a new section, Magazine Donations, here you will find the magazines that I am looking for because I just have the cover. So, if you want to scan or find these magazines and want to share, please, feel free to send me. Credits will be given.
If you like the updates and want to help this site to keep online, please, feel free to go here to donate. Every single dollar will help because my situation is not good with money right now. Thanks.

Amazon Studios and Echo Lake Entertainment are adapting the NY Times’ bestseller I’ve Got Your Number by author Sophie Kinsella. Kirsten “Kiwi” Smith and Jessica O’Toole are attached to pen the adaption.
Dakota Fanning will produce along with Brittany Kahan Ward & Mary Jane Skalski of Echo Lake Entertainment as well as Joey Plager and Freddie Highmore, through his Alfresco Pictures. Alfresco Pictures’ Claire Londy will serve as an executive producer.
The novel is a romantic comedy of errors featuring a lost engagement ring, a stolen cell phone, and two strangers who find each other…just as one of them is about to marry someone else.
Kinsella is well-known for her Shopaholic novel series, which was adapted into the film Confessions of a Shopaholic starring Isla Fisher in 2009. Since her debut in 1995, Kinsella’s books have sold over 40 million copies in more than 60 countries, and been translated into over 40 languages.
Smith’s credits include Legally Blonde, The House Bunny and the Emmy winning series Trinkets on Netflix. She is also co-writing a reimagining of 10 for Warner Bros. O’Toole co-created the Charmed reboot for The CW, and her credits include the hit series Jane The Virgin, Selfie and The Carrie Diaries.
Fanning is repped by Echo Lake Entertainment, United Talent Agency and Hansen Jacobson. Highmore is repped by ARG, UTA and Felker Toczek. Kiwi Smith is repped by Verve, Kaplan/Perrone and attorneys Karl Austen and Adam Cooper. Jessica O’Toole is repped by Verve, manager Sukee Chew and attorney Eric Brooks. [Source]
I have added a new photoshoot of Dakota Fanning from 2019 to the gallery. You can go there to take a look and enjoy!

Hello everyone! Hope all of you are having a great time.
I make this update because I need to ask for donations. Due to the situation, I am not good with my economy. I need to pay host this month and also, pay some more things for the site in a few days and I really need your help. I can’t afford this myself and I still need to get more money to keep the site and don’t delete this. Every single dollar will help, so, if you consider that your donation is not enough to do, YES, it is important and will help the site.
Please, help me to save the site and keep this online. If you want to know more about this or where the money will go, please, contact me, will be more than happy to talk to you.
If you want and can help, go to this page to donate. Thanks from the bottom of my heart.
I have added some stills of Dakota Fanning from The Angel of Darkness series. You can go to the gallery and enjoy! Hope you are loving the series!

The TNT original drama series The Alienist: Angel of Darkness, the follow-up season to The Alienist, is an unflinching and sinister murder mystery set at the turn-of-the-century during New York’s Gilded Age. The series follows Dr. Laszlo Kreizler (Daniel Brühl), an alienist in the field of treating mental pathologies, John Moore (Luke Evans), a New York Times journalist, and Sara Howard (Dakota Fanning), an ambitious woman who has opened her own private detective agency. Together, they are on the case of a kidnapped infant and on the dangerous path after an elusive killer.
During this 1-on-1 phone interview with Collider, Dakota Fanning talked about digging deeper into these characters for Season 2, her character’s biggest strength, what she appreciates about Sara Howard, the incredible wardrobe, the Sara-John relationship dynamic, and whether she’d want to continue playing this character for another season. She also talked about her desire to step behind the camera to direct, and that sacred relationship between actor and director.
Collider: What did you most enjoy about the first season and exploring the introduction to this world and these characters, and then how did it feel to return to that for Season 2 and dig in even deeper with her?
DAKOTA FANNING: I loved that. It’s really the first time that I’ve gotten to dive into something for a second time and for another eight hours. It’s really an exciting thing to do, when you get to take a character that you’ve grown to love and that you feel like you know so well to a different level and into a new place, and I really got to do that with Sara. I loved playing her in The Alienist and seeing that she was the first female to hold the position at the police department, as a secretary, but having aspirations of more. And then, right away, in the first episode, we see that she’s opened her own detective agency and has realized that dream, and is still forging ahead to fight for people and to solve these crimes that are not being looked at because the police department is corrupt, or that people don’t care about. She’s a very compassionate, empathetic person, and I think that allows her to look at the people that she’s solving these crimes for, in a very non-judgmental way, and that’s ultimately her biggest strength.
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